Jewel Tones lesson coming up
The last project pack released by Zentangle® headquarters (PP08) included some gorgeous pictures done with gel pens. I was enchanted by Maria's beautiful color palette of Day 5 and used that as inspiration. My first tests with those patterns using gel pens over black paper were less than satisfactory for me, I was a little frustrated with the lack of brilliance of the final pieces. Here are my experiments:
I still couldn't get over the beautiful jewel-toned palette, so I decided to try something different. I painted the background with watercolors, then tangled and colored in. I LOVE the results! Here is the before and after:
I loved this so much I am holding an online class this coming Friday, April 3, 2020 at 10am PDT for all participants of my Art Club. Jewel tones!!!! Here is a close-up for you to inspect closely:
As usual, all my online live classes are available for all Art Clubbers, and after each session they get recordings of the classes and bonus PDFs. Learn more here
Feel free to pin or share these pictures if you like!
During my last cruise we stopped briefly in Casablanca, Morocco. I took tons of pictures of historic buildings and this one detail caught my eye, I adapted it as string for this piece. Tangled and shaded with Inktense pencils and Pitt Artist brush pens.
Back in 1998 I went to Bali and it was an enchanting place for someone who enjoys ornament and patterns. I extracted the outline of a photo I took back then and used it as a string for this piece. Turned out a little whimsical, almost Seussian. You can see a couple of critters happily playing here and there.
This is a picture that I created while aboard my last cruise crossing the Atlantic. Before crossing westbound we visited Santa Cruz de Tenerife in the Tenerife Islands, and I captured some of the details of the beautiful Parish of St. Francisco de Asís. I have to confess that this picture feels a bit “too pink” for my taste!
I've been MIA for over 20 days for a good reason: my husband and I went on a month-long adventure which included crossing the Atlantic on a cruise from Europe to Brasil, with some dear friends. Before leaving I selected some pictures to work on while aboard: this one is based on a Gothic artifact found in the John Leighton’s Suggestion of Designs (1880) found in archive dot org. Inktense pencils and Pitt Brush pens with a waterbrush.
Another picture with tangle Amplion (Nina Dreher-Goddertz). I also included a historic fragment taken from Herbert Cole’s Heraldry and Floral forms (1922, found on archive dot org). It's a beautiful design of a 15th century French coffer. Tangled and shaded using Inktense pencils and Pitt Brush pens with a waterbrush.
My second picture inspired by Inktober Tangles 2024 including Heart Nouveau (Romi Marks), Feist (Stephanie Jennifer) and half of an S Bahn (Midori Furuhashi). I’m REALLY in love with this picture, still using Inktense pencils and Pitt Brush pens with a waterbrush. When I participate in Inktober, I tend to do it a little erratically, picking the tangles I like instead of going in order.
The name of this picture should be “do as I say, don’t do as I do”. I often tell my students “don’t outline your work otherwise it looks cartoony”. And my hand did just that! Here I have two tangles from Inktober Tangles 2024: Amplion by Nina Dreher-Goeddertz and Heart Nouveau by Romi Marks. Drawn using Inktense paint pads and Pitt brush pens with a waterbrush.
This picture is an adaptation of a design found in a book by Augusto Garneri (1921) at archive dot org and is described as taken from a Celtic Anglo Saxon manuscript miniature. Looking at other ornament books I found similar designs, so it was probably popular motif in Celtic manuscript illumination. I mixed some techniques there and it took me forever to complete! Tangled with inktense pencils, brown micron and Pitt brush artist pens.
I'm in love with all the Art Deco architectural jewels of Los Angeles. The Pantages is one of my favorites, and here you see a small fragment from that magnificent theater, combined with Sunbelt, a tangle by Jody Genovese. Drawn using Inktense paint pads and Pitt brush pens with a waterbrush. I'm very happy with the dramatic results!
This picture was made largely adapted from a fragment of Gothic architecture I found in Richard Glazier’s Manual of Historic Ornament (archive dot org). I combined three primary colors with black ink, and shaded and colored using inktense pencils.