This Project Pack 25 really is one of my favorites. Day 4 covers a tangleation of Gourdgeous going behind and overlapping. Again I used one of my blotched and scratched watercolor papers and am in love with the results!
Here’s a before and after:
Here are a few close-ups:
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Remember that all images are Copyright Eni Oken.
This Project Pack 25 really is one of my favorites. Day 4 covers a tangleation of Gourdgeous going behind and overlapping. Again I used one of my blotched and scratched watercolor papers and am in love with the results! #pp25day4
During my last cruise we stopped briefly in Casablanca, Morocco. I took tons of pictures of historic buildings and this one detail caught my eye, I adapted it as string for this piece. Tangled and shaded with Inktense pencils and Pitt Artist brush pens.
Zentangle’s Project Pack 25 covers a topic that is dear to my heart: drawing behind. I decided to use some older papers I had prepared with watercolor blotches and scratches, to add an extra layer of difficulty. The first day covers tangles Doodah and Umble, and Day 2 covered a beautiful Fengle. Shaded with an Oak color inktense pencil, which gives just a hint of dark green.
A couple of weeks ago I played an Art Raffle with friends, and I decided to explore it in brown over a 4x6” watercolor paper shading with inktense pencil. Tangles are Kensington (Anoeska Waardenburg), Kamala (Kamala Looi), Y-knot (HyunJu Park), Sand Swirl (Karry Heun), Spangle (Mimi Lempart), also Printemps and Msst (Zentangle).
Back in 1998 I went to Bali and it was an enchanting place for someone who enjoys ornament and patterns. I extracted the outline of a photo I took back then and used it as a string for this piece. Turned out a little whimsical, almost Seussian. You can see a couple of critters happily playing here and there.
Another sketch with fragments captured from the world, this one from the hotel we stayed in Barcelona for a night before embarking on our long cruise. It’s funny how you can find fragments even in the smallest details of the wallpaper!
During the last part of my recent trip in Brazil I did not have time to work on a proper project. So I started to capture very quickly some of the fragments I saw around me using a brown pen. Whenever I had the time, I would refine these fragments. It occurred to me that it was like an irregular tapestry made of fragments that you capture around you.
This is a picture that I created while aboard my last cruise crossing the Atlantic. Before crossing westbound we visited Santa Cruz de Tenerife in the Tenerife Islands, and I captured some of the details of the beautiful Parish of St. Francisco de Asís. I have to confess that this picture feels a bit “too pink” for my taste!
I've been MIA for over 20 days for a good reason: my husband and I went on a month-long adventure which included crossing the Atlantic on a cruise from Europe to Brasil, with some dear friends. Before leaving I selected some pictures to work on while aboard: this one is based on a Gothic artifact found in the John Leighton’s Suggestion of Designs (1880) found in archive dot org. Inktense pencils and Pitt Brush pens with a waterbrush.
This picture was made largely adapted from a fragment of Gothic architecture I found in Richard Glazier’s Manual of Historic Ornament (archive dot org). I combined three primary colors with black ink, and shaded and colored using inktense pencils.