I’m still enjoying making these mini needlepoints, I might use them as patches to embellish purses or totes. I’m finding the similarities with Zentangle fascinating: repetitive patterns, intuitive and meditative method (in this type of counted design), small size canvas, portability and unexpected results. Fun!
Here’s are a couple of close-ups:
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Remember that all images are Copyright Eni Oken.
Continuing with some canvaswork needlepoint. This little one measures less than 3x3 inches over aida canvas, but I’ll use interlock from now on. The stitches are getting a bit more regular and even, it’s just a matter of practice. I love using gold thread over the colors, it create a nice metallic glint that is difficult to capture in the photo.
While Alan and I are safe from the recent Los Angeles fires, some of our loved ones were affected in a most brutal way, losing everything. I am extremely thankful that everyone is healthy and safe, but I have not had the emotional space to create any drawing or painting. The only thing I barely feel like making right now is some canvaswork embroidery which brings me comfort and reminds me of my grandmothers. This little canvas measures 4x4 inches.
Tripoli is the tangle for the second day of Zenuari 2025. I actually created two tiles on this one. Here’s my favorite one, using pitt brush pens and inktense to do the shading. #zenuari2025
My New Year’s resolution is to participate in more online art challenges. We’ll see how that goes… I signed up for Zenuari 2025, a month-long challenge by Anoeska Waardenburg. The first day prompt called for bubbles and I couldn’t resist transforming them into gemmy bubbles. Shaded with inktense pencil. #zenuari2025
Happy New Year! I’ve been MIA for the holidays, lots of things to do with a house guest. Barely had any time to tangle or draw and nothing seemed to work. So I took a couple of unfinished tiles from long ago and completed them with some easy (almost) black and white tangling.
This picture was made largely adapted from a fragment of Gothic architecture I found in Richard Glazier’s Manual of Historic Ornament (archive dot org). I combined three primary colors with black ink, and shaded and colored using inktense pencils.
This Project Pack 25 really is one of my favorites. Day 4 covers a tangleation of Gourdgeous going behind and overlapping. Again I used one of my blotched and scratched watercolor papers and am in love with the results! #pp25day4
During my last cruise we stopped briefly in Casablanca, Morocco. I took tons of pictures of historic buildings and this one detail caught my eye, I adapted it as string for this piece. Tangled and shaded with Inktense pencils and Pitt Artist brush pens.
Zentangle’s Project Pack 25 covers a topic that is dear to my heart: drawing behind. I decided to use some older papers I had prepared with watercolor blotches and scratches, to add an extra layer of difficulty. The first day covers tangles Doodah and Umble, and Day 2 covered a beautiful Fengle. Shaded with an Oak color inktense pencil, which gives just a hint of dark green.
I’m still enjoying making these mini needlepoints, I might use them as patches to embellish purses or totes. I’m finding the similarities with Zentangle fascinating: repetitive patterns, intuitive and meditative method (in this type of counted design), small size canvas, portability and unexpected results. Fun!