Sepia IX

For the Shading Zentangle® Facebook group of this week, I selected the tangle IX, which is a really fun, wonderful overlapping tangle. My personal goal this week was to use a bit LESS shading, and perhaps add some sepia background.

Here is the line-art for the piece:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

Although I used gray markers for shading, I applied them in a different order -- first the fine liner crevices. I felt this gave me a good basis as to where to shade without going too overboard like I usually do.

I also used Bisque and Orientale brownish copic markers to shade the sepia background.

Here is the final art:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

Tangles: IX and Opus, with a Gem in the center. Black, gray and sepia fine-liners, copic markers, colored pencils.

Copyright 2015 Eni Oken

 

Ixorus in Blue with gems

A second stab at Ixorus, this tangle is just too much fun to play with. This time I wanted to do something almost monochromatic -- I have a few colored fineliner pens and wanted to see what could be done. Here you can see the original string with the work in progress:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

I left a couple of places for some gems, couldn't resist it!

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

As you can see, sometimes i try to follow the string perfectly, other times not. The beauty of a tangle which grows organically is that you can mold it however you like.

This is the final line art:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

And this is the final tile, shaded, colored and with the gems in place:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

I have to confess, it was hard to shade the piece using colored pencils alone. The line art had a lot of parallel lines, and the pencil was coarse. The Gems were created using my alternative technique which uses no markers.

Copyright 2015 Eni Oken

[contentblock id=shadingebooks]

It's here - the Shading Smooth Gemstones ebook!

Motivated by the wonderful "Gemstone Challenge" on the Shading Zentangle Facebook group, I'm writing at the speed of light a new ebook on how to shade and color smooth glassy gemstones. Here's the potential cover:

Learn to color and shade smooth glassy gemstones
Learn to color and shade smooth glassy gemstones

Follow this link to get the ebook: http://www.enioken.com/3dtangle/gemstones

The challenge was inspired by the glorious work by Kae Yoshino, who posted a couple of tutorials on how she draws her own gems.

You can also check out my Pinterest board "Drawing Gemstones" which has many online free tutorials.

Gemmy gems

We are having a secondary challenge at the Shading Zentangle® Facebook group. Inspired by the glorious and astounding work by Kae Yoshino, we are exploring how to include gems into Zentangle tiles. This is not that easy! Although Kae has provided two really cool mini tutorials on how she colors her own "jems" (you can find her tutorial here), I didn't quite get the look I wanted with it, so I used my usual method of drawing gems, which kind of look more like cabochons to me.

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

In my gems version I usually start with a dark shading at the top left (TOWARDS the direction of the light, which is kind of contradictory to traditional shading) using copic markers. Then I create a gradient going from dark to light color using colored pencils. A super crisp highlight is created with white gel pen, and finally a rim shadow with a bit of color, to show the glassy transparency of the stone.

Here are some other recent pictures incorporating gems:

Wow, it seems like I really have a thing for red gemstones! Can you say "I love rubies"?

Here is the lineart for this tile:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

Tangles used: fat paper, crescent moon, splinters and decorated auras.

This is the final shaded version:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

This was REALLY FUN and very addictive. I'm going to have to make more!

Copyright 2015 Eni Oken

 

Paradox Challenge

I never really paid attention to Paradox because I thought it would be too rigid with all those straight lines, but now that I've played with it a bit, I think it's going to become a favorite, there is so much to explore, and it's a joy to draw. After playing with it a little while for the Shading Zentangle® Facebook group Paradox Challenge, I saw enormous potential for organic construction along with interesting shading.

This is a preliminary study:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

Some people see paradox as a pyramid, that is, the smaller area grows upward, but I couldn't help but seeing most of it as going inward.

This is the line art for the challenge tile:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

Other tangles in the tile are zinger (becoming a huge favorite) and pokeroot. As usual, I added my own personal challenge to the mix: I wanted to create as paradox as organic as possible, without any straight lines. I purposely curved and jiggled the lines, pulled and stretched to see how well it would hold. I'm super happy with it, looks like some sort of alien planet artifact!

This is the final picture:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

The piece was entirely shaded with gray copic markers, no pencils. Behind the main lineart, I added gray paradox lines using a gray copic fineliner. Find out more about my favorite shading supplies here.

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

Finally, tones of blue green colored pencil were added using white pencil blending techniques described in my book 3DTangle Vibrant Color Shading.

 

One of my favorite things about shading with markers is that it's relatively fast compared to pencil shading. The draw back is that the shading is not that easy to blend and worse, it's hard to get into those little dark crevices with the fat marker nib. To really get into those crevices, I use a gray fineliner by Copic.

Here's a close up for you to inspect:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

This image is probably enlarged 3 to 4 times the size of the original tile, depending how you looking at it.

Copyright 2015 Eni Oken

 

Verve Challenge

Verve is the focus tangle pattern for this week's Shading Challenge. I just LOVE this tangle pattern!!!! These are some of the sketches I created when first trying to understand the pattern. Instead of creating one single circle, I created clusters with three or more center circles, and let the ribbons fall where they may, over, under, behind.

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

I had used Verve a little bit on my previous tile (see it here), but now I wanted to dedicate an entire piece just to explore it a bit more. Here's the line art:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

Drawing the tile was super FUN, it went into the most twisted and weird convolutions. It gave me plenty of opportunity to explore this new "tangle accessory" or "tangle terminal" (Thanks again Antonine!), the one that looks a bit squarish.

Here's the tile partially shaded with graphite pencil:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

This is an EXTRAORDINARILY difficult tangle to shade. It's crevices and organic nature make it impossible to know exactly where to shade darker, and you really have to use a great deal of intuition. I started by darkening some of the obvious crevices and corners, and then hoped the whole thing would come together.

This is the final piece:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

Ink and graphite pencil over paper. 

I'm happy with the results, but it gave me a headache to figure out the shading. I don't know that I would include it in the list of my most loved tangles, but I certainly had a ton of fun drawing it! Serves to show! Last weeks tangle W2 started as a dreaded pattern and now is one of my favorites; this one started as a love affair and ended up soon.

That's why from now on, my new motto is: try any new tangle even if I don't like the look at first glance. You never know when you're going to fall in love again.

Copyright 2015 Eni Oken

 

Still on W2

The Verve Shading Challenge is going on since last Friday, but I still cannot let go of W2. After what seemed to be a rocky start, I think this is going to be one of my favorite tangles. See my entry for last week's W2 Shading Challenge here. I had in mind to try shading WITHOUT using graphite pencils, only grey markers and my new found love Copic 0.1mm GREY fineliners.

Here's the string for this tangle, created using 0.1mm black ink pen:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

Here is the full lineart, with some minor shading:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

You can see some Verve tangle creeping in on the sides, but I never really gave it proper attention.

I will probably do another proper one for Verve, from what I see, I KNOW that I'm going to fall in love with it!

Here is the final tile, with full shading!

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

Tangles: W2, Verve, Fat paper, Narwal, Molecular Windfarm, rows of pearls and Zentwining.

I created this tile using absolutely no graphite pencil. The grey fineliners gave me the precision to really get into those crevices and corners for a dramatic and contrasting effect. I love it!

Black and grey ink and markers over Bristol smooth paper, 4.5 inch tile.

Copyright 2015 Eni Oken

 

Rectangular Frame for Square Tile

It's so difficult to find good square frames for small square tiles. I've been at loss trying to find fun frames for my tiles. Today I was at the store, so frustrated because I couldn't find anything I liked in square frames, other than the traditional art gallery black frame with white mat. "If only there were a way to frame the square tile in a rectangular frame, in a way that looked interesting", I thought.

Then it dawned on me: why not create mat that framed the square tile in a purposeful way, matching the tile?

Here's my first attempt, what do you think? The original tile is 4x4, and the frame fits a 5x7 picture.  

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

I cut the mat out of Bristol smooth paper. The opening fits perfectly so that the tile can show through exactly the way I want it to. After cutting, I trimmed the opening with gold pen and inked tangles matching the ones in the tile.

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

I'm super happy with it -- now I can use all those gorgeous frames for 5x7 pictures to frame my square tiles!

Copyright 2015 Eni Oken

 

Nymph on Ren

I wanted to give poor Nymph tangle a second chance to really be the focus for the Shading Zentangle Nymph Challenge, since my first attempt was hijacked by Crescent moon and 3D Opus (see it here). I started well...  then Zentwining and pearls tried to take over, but Nymph fought bravely:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

Look how fine those lines are!!! It's all because of my new toy, a magnifier with a lamp! Due to harsh cancer treatment and aging, my vision is not the same as it used to be, so drawing on the tiny 3.5inch tiles is sometimes a problem.

I LOVE my the new magnifier!!

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com
NymphGI02
NymphGI02

(I got this magnifier on Amazon, here's a link if you want to get one for yourself)

Back to Nymph.

Aside from using Nymph as a focus tangle, I had a personal challenge of shading WITHOUT using graphite pencil. That's why I used the Renaissance tile, it is tricky to use pencil and eraser because the paper is so delicate and gets ruined. Here's the first pass using Grey Copic markers for shading:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

The problem with markers is that even with a brush nib, the tips are FAT, and it's hard to get into those corners and crevices to get a really dramatic look.

In my attempt to solve this problem I discovered a new tool that I am ABSOLUTELY in love with: a GREY 0.1mm INK PEN.  The one I used is the Copic Multiliner 0.1mm that came in a bundle. It sounds so silly, but I have never used mine, I got them a while ago and they were just sitting there. The grey crosshatching provides just enough dark corners near the inked edges, without overpowering the edge like a black pen usually does.

Look Ma, dramatic shading in all the corners and crevices without using graphite pencils!

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

Here's the final piece, complete with white highlights (white colored pencil and white gel pen):

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

3.5 inch renaissance tile. Copyright 2015 Eni Oken.

Nymph Challenge

I have to confess, I was not entirely impressed with the tangle Nymph when I first ran across it. It wasn't until I saw the gorgeous work of Catarina Labuda on a Facebook group that I SAW the 3D potential of the tangle. I noticed how she added contour lines, which increase the fullness and roundness of each petal. I tested it myself in a very quick sketch, shaded with markers here:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

Now I'm ready for this, I thought! However, on the afternoon I sat down to create a FOCUS TILE with Nymph, a dear friend came to visit. While we chatted and chatted and created lovely drawings all afternoon, other patterns started to creep into the tile and totally took over the drawing:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

Crescent moon, Opus and Nymph.

Here is the tile halfway through:

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

By the time I finished chatting and shading the tile, poor Nymph got overpowered by the other shading and by the vibrant rubies. Oh well, better luck next time!

Learn how to create great shading with Eni Oken's ebooks • enioken.com
Learn how to create great shading with Eni Oken's ebooks • enioken.com

I guess I will just have to do another one exploring Nymph again!!!! :-)

Nymph, 3D Opus, Crescent Moon. Lineart inked with Copic fineliner. Shading with graphite pencils, 2H, H, HB, sepia inking pen, red inking pen, colored pencils, white colored pencil, white gel pen. Measures 4x4inches on white Bristol Smooth paper.

Copyright 2015 Eni Oken